{"id":244980,"date":"2020-11-05T12:38:24","date_gmt":"2020-11-05T11:38:24","guid":{"rendered":"https:\/\/encours.studiottt.com\/anma\/nicolas-michelin-a-committed-founder\/"},"modified":"2022-04-03T11:50:14","modified_gmt":"2022-04-03T09:50:14","slug":"nicolas-michelin-a-committed-founder","status":"publish","type":"post","link":"https:\/\/anma.fr\/en\/nicolas-michelin-a-committed-founder\/","title":{"rendered":"Nicolas Michelin : a committed founder"},"content":{"rendered":"
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\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\"Nicolas<\/span>\n\t\t\t<\/div>
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committed to ecology<\/b> in architecture and town planning<\/h2>\n

 <\/p>\n

Urban planning architect born in 1955, Nicolas Michelin founded the ANMA agency in Paris in 2001, after his association with Finn Geipel then named Labfac in the 90s.<\/p>\n

He associates Michel Delplace and Cyril Tr\u00e9tout in this adventure.<\/p>\n

For 20 years he has positioned ANMA as an innovative research and production agency for architecture and town planning at all scales: from the exceptional program to the subject of everyday life.<\/p>\n

Opposite<\/strong>: Cover of the Ar\u00e8nes de N\u00eemes, LabFac, 1999<\/p><\/div>\n\t\t\t<\/div>

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a rewarded<\/b> career<\/h2>\n

 <\/p>\n

For his approach, he won the Grande M\u00e9daille d\u2019Argent du Prix Dejean de l\u2019Acad\u00e9mie d\u2019Architecture, of that academy he became a member in 2004.<\/p>\n

In 2003 and 2010, the ANMA agency received the Mention sp\u00e9ciale at the Equerre d\u2019Argent award for the Gymnase Europole in Grenoble and the Logements du Quartier Grand Large in Dunkirk.<\/p>\n

He was nominated for the Urban planning Grand Prix in 2005, 2007 and 2008.<\/p>\n

He was also made a Chevalier National de l\u2019Ordre du m\u00e9rite in 2005 and became a Knight of the L\u00e9gion d\u2019honneur in 2013.<\/p>\n

Opposite<\/strong>: Housing in the Quartier Grand Large in Dunkirk, ANMA, 2010<\/p><\/div>\n\t\t\t<\/div>

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exhibition, films
<\/b>and contemporary art<\/h2>\n

 <\/p>\n

In addition to his activity as an urban architect, he was principal of the School of Art and of the Contemporary Art Center of Rueil-Malmaison between 1990 and 2000. From 2001 and up to 2010, he was director of the National School of Architecture of Versailles and created the contemporary art center La Mar\u00e9chalerie thereof.<\/p>\n

In 2004 he was the art curator of the Nouveaux Paris, la ville et ses possibles<\/em> exhibition at the Pavillon de l’Arsenal, then he was general curator of Alert<\/em>, the 2008 edition of Agora<\/em> – Biennale d’Architecture, d’Urbanisme et de Design of Bordeaux.<\/p>\n

Through these exhibitions and those organized by the ANMA Foundation at La Manne, Nicolas Michelin experimented with film and notably directed the short film Bordeaux 2046, Une jour de Marie<\/strong><\/a> for Agora 2008.<\/p>\n

Opposite<\/strong>: Agora, Architecture Biennale, town planning and design in Bordeaux, 2008.<\/p>\n

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litt\u00e9rature
<\/b>de th\u00e9orie et de r\u00e9cits<\/h2>\n

 <\/p>\n

Th\u00e9oricien de la pratique d\u2019une \u00e9poque, c\u2019est un auteur prolifique d\u00e9voilant esprit et m\u00e9thode dans plusieurs ouvrages paru ces quinze derni\u00e8res ann\u00e9es\u00a0:<\/p>\n

Avis. Propos sur l\u2019architecture, la ville et l\u2019environnement <\/em><\/a><\/strong>en 2006 chez Archibooks,<\/p>\n

L\u2019aventure de la transformation d\u2019une halle \u2013 des Farines \u00e0 l\u2019Universit\u00e9 <\/em><\/a><\/strong>en 2007 chez Ante Prima,<\/p>\n

Alerte \u2013 et si on pensait un peu plus \u00e0 elle\u00a0? <\/em><\/a><\/strong>en 2008 chez Archibooks,<\/p>\n

Attitudes<\/em> <\/a><\/strong>\u2013 propos sur l’architecture, la ville, l’environnemen<\/a><\/strong>t <\/em>en 2010 chez Archibooks.<\/p>\n

En 2019, il \u00e9crit une fiction, Amer<\/em><\/strong>, publi\u00e9e chez Les Productions du Effa, maison \u00e9ditant aussi en 2020 L’Inconcevable<\/em><\/strong>, nouveau livre \u00e0 para\u00eetre, \u00e9crit pendant le confinement et abordant la ville d’Apr\u00e8s.<\/p>\n

Ci-contre<\/strong> :Reconversion de la Halle aux Farines \u00e0 Paris, ANMA, 2006<\/p><\/div>\n\t\t\t<\/div>

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8 th\u00e8mes <\/b>pour une conception sur mesure<\/h2>\n

 <\/p>\n

Il cadre sa pratique selon huit th\u00e8mes qu\u2019il d\u00e9veloppe dans les projets de son agence : l\u2019ultra contextuel, l\u2019ordinaire-extra, l\u2019\u00e9nergie naturelle, la l\u00e9g\u00e8ret\u00e9 \u00e9conomique, la haute qualit\u00e9 d\u2019usage, la densit\u00e9 vertueuse, la nature en ville et la po\u00e9tique de l\u2019inutile. Ceux-ci sont la pierre angulaire d\u2019un travail engag\u00e9, soutenu lors de nombreuses conf\u00e9rences \u00e0 travers la France et le monde (New-York, Boston, Montr\u00e9al, Beijing), dans des ouvrages collectifs, nombre d\u2019essais et de prises de parole dans la presse et la litt\u00e9rature sp\u00e9cialis\u00e9e.<\/p>\n

En 2016, il fait le constat de la n\u00e9cessaire \u00e9volution des modalit\u00e9s de la fabrique urbaine qu\u2019il publie dans le Manifeste A. Pour une nouvelle fabrication de la ville<\/a>.<\/strong><\/em>, prise de position reconnue et sign\u00e9e par une centaine de confr\u00e8res architectes urbanistes et de professionnels des secteurs attenants. En 2017, une Monographie<\/strong> <\/em><\/a>recensant les projets embl\u00e9matiques de son agence para\u00eet aux \u00e9ditions Cuardernos.<\/p>\n

Ci-contre<\/strong> : Galerie Artem \u00e0 Nancy, ANMA, 2012<\/p><\/div>\n\t\t\t<\/div>

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a collaborative vision<\/b> of urban planning<\/h2>\n

 <\/p>\n

In Bordeaux, Villeneuve d’Ascq, Marseille, Villeurbanne, Montpellier or Saint-Andr\u00e9-lez-Lille, Nicolas Michelin defends a participatory approach to urban design: “negotiated” urban planning workshops.<\/p>\n

Within these, and on the basis of an evolving guide plan, the inhabitants, the architects, the promoters, the towns, the planners and the town planner do meet. They share a common culture of the project and, through listening and dialogue, undertake the defense of the public interest and urban quality.<\/p>\n

From 2016, he gradually implemented within ANMA the collaborative principles that he has defended and tested over the projects of the past twenty years. This new way of doing things, of co-design and consultation, foreshadows the agency’s turn towards collective intelligence in 2020.<\/p>\n

Opposite<\/strong>: Landscape plan sketch of the Bassins \u00e0 Flot, ANMA, 2019<\/p><\/div>\n\t\t\t<\/div>

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passing on<\/strong>
beliefs<\/h2>\n

 <\/p>\n

In a process of transmission, he sets up with Cyril Tr\u00e9tout and Michel Delplace a new team of partners with complementary profiles.<\/p>\n

For nearly three years, he worked hand in hand with them to put ANMA in a new cycle: in accordance with the environmental and urban convictions he always had, but according to renewed positions.<\/p>\n

Relieved of his obligations to the agency’s operational and strategic management, he now works as an expert with the agency’s teams on specific large urban operations.<\/p>\n

He’s now entirely devoted to defending the environmental cause, performing arts and writing.<\/p>\n

Opposite<\/strong>: Dome of the National University Library of Strasbourg, ANMA, 2014<\/p><\/div>\n\t\t\t<\/div>

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committed to ecology in architecture and town planning   Urban planning architect born in 1955, Nicolas Michelin founded the ANMA agency in Paris in 2001, after his association with Finn Geipel then named Labfac in the 90s. He associates Michel Delplace and Cyril Tr\u00e9tout in this adventure. For 20 years he has positioned ANMA as […]<\/p>\n","protected":false},"author":3,"featured_media":244715,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[475],"tags":[],"class_list":["post-244980","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":{"choix_de_la_couleur_du_titre":"#ffffff","sans":"none"},"_links":{"self":[{"href":"https:\/\/anma.fr\/en\/wp-json\/wp\/v2\/posts\/244980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anma.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anma.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anma.fr\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/anma.fr\/en\/wp-json\/wp\/v2\/comments?post=244980"}],"version-history":[{"count":0,"href":"https:\/\/anma.fr\/en\/wp-json\/wp\/v2\/posts\/244980\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/anma.fr\/en\/wp-json\/wp\/v2\/media\/244715"}],"wp:attachment":[{"href":"https:\/\/anma.fr\/en\/wp-json\/wp\/v2\/media?parent=244980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anma.fr\/en\/wp-json\/wp\/v2\/categories?post=244980"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anma.fr\/en\/wp-json\/wp\/v2\/tags?post=244980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}